Monthly Archives: December 2012

When Your Characters Go Public


Salvador Dalí, on the steps of the Philadelphi...

Salvador Dalí, on the steps of the Philadelphia Museum of Art, in Philadelphia, Pennsylvania (Photo credit: Wikipedia)

I’m sure this happens to all writers from time to time. It’s our curious nature that’s to blame and our quest to provide realism to our work. I’m talking about the odd stares from strangers for doing what comes so naturally to us, thinking like our characters in public.

While doing research for WIRED and ENIGMA, I came across an article profiling the behaviors museum staff and security are trained to spot as suspicious. It explains why there always seems to be a Docent close by, and when I leave an area, someone new takes up the post and I often spy them eyeing me as I wander around.

Jade Weekes, the main character in WIRED and ENIGMA is an art thief and a savant when it comes to museum security. If she could just get over her amnesia, she would remember she designed a very clever security system for her late father’s gallery. To walk in her shoes and let my imagination run with her personal obsession for impressionist art and all things Salvador Dali, helps me develop her personality and add concrete details to help readers see through her eyes.

When I’m channeling Jade, this is a bit of what I do:

  • I like to walk the floor plan of the exhibit several times to see the traffic flow, and what physical and psychological barriers have been implemented to keep the public in place. (I attended a great seminar on the Rembrandt exhibit last year and gained a lot of insight on the subject.)
  • I often take notes of these observations which include the placement of security cameras, staff and any climate sensing devices. Since photography is allowed (without flash) in most galleries, I use my phone to snap pictures for later scene building.
  • I usually step to the sides of painting to see how they are secured to the wall and determine if any wires or hardware are visibly attached (security devices).
  • I also note any missing gaps between paintings which could mean a work was removed for repair or other reasons.

Odd behavior for sure, but do I merit being tailed? A small vase or Rembrandt isn’t safe around Jade or the underworld types she deals with, but they are perfectly secure in my company. I need them on display so I can let my characters fight over them and scheme ways to ferry them from the museum without notice. That’s the part of the puzzle I love to work out as I note the emergency exits and service elevators.

So far, Jade has never been arrested, but she is well-known to law enforcement in three countries.

As writers, we should think and behave a bit odd, because that’s how fiction turns from isolated ideas to page-turning stories.

Suspicious? I think not… just creativity at play.


Catching Fire


What does getting fired up mean to you? Are you red-faced as you sprint into action? Perhaps you’re a slow burner, allowing your ideas to percolate to a rich hue before you take the next step.

letters

letters (Photo credit: nate steiner)

The end of each year leads inevitably to promises we make to ourselves to be healthier, more productive, finish a project, start a project, lose weight, eat better, clean out the garage, stop procrastinating…..well, you know the scene.

Two books come to mind, both of which I’ve mentioned before:

In their own ways, each talks about the creative fire everyone has inside. Bradbury advises digging in and writing about what terrifies us, letting the fear we feel quaking inside spill into our characters and plot. Cain talks about the spark of passion in ourselves which we can tap into to find our own power and confidence.

Imagine a meeting of the two; a gift of fears and passions pushing your characters past obstacles and forcing them to confrontation. I gave Jade, the main character in WIRED, doubts and insecurities to make her falter, correct herself and make choices which will move her and the plot forward. Sometimes, I let her make poor choices so she can figure out her mis-step and grow. Letting her fears and passions run amuck on the page is to let her be human and perhaps a little more real to readers.

My goal for 2013 is to allow my characters to be human, flawed, brave, fearful and then press on despite their self-doubts. (Also a sound course of action for writers battling their self-critic.)

Good luck catching your own spark, nurture it well.


Follow

Get every new post delivered to your Inbox.

Join 40 other followers

%d bloggers like this: